Earlier this week, the sci-fi writer Steven Barnes had a nice piece in The Philadelphia Inquirer, “Why King Tut’s ethnicity is such a complex issue.”
The article offers his take on the currently-raging debate over King Tut’s complexion, which is taken as a signifier of his (and therefore Egypt’s) links to Sub-Saharan Africa and is also taken as bearing on the matter of whether Egypt should be understood as “African” or “Middle Eastern.”
(Whatever. Everyone who has ever seen a Hollywood film knows that the ancient Egyptians were white, just like Jesus! You can click the head for a pictorial history of Tut, and if you haven’t heard this story, background reports are at the end of this post.)
This week’s hoopla actually started in 2005, when a major museum exhibit was accused of whitewashing Tut’s image. The exhibit featured “new” images of Tut popularized by Zahi Hawass, secretary general of Egypt’s Supreme Council of Antiquities, who in 2005 led a team of anthropologists and forensics experts France, Egypt, and the United States. Just this week, Hawass declared:



I posted a little bit on this on Cypher&Syllable last week, but it’s time to listen more closely. The original 911 recording and some transcription are after the jump.
Christina Olivares has a pretty fabulous post over at Cypher&Syllable titled
I started this post thinking it would be about some of the brouhaha (or is this more of a hullabaloo?) about Angelina Jolie portraying
A whiff of insanity, which I caught from Robyn over at
Last weekend, on the bucolic Quad at Harvard University–typically, the site of a casual game of Ultimate, or perhaps an afternoon reading of some Shakespearean sonnets before English class-an unusual and, to some, frightening scene was played out. There were people throwing things! And running! And jumping! And most scary of all, every single one of them was black. So the Harvard students watching from their dormitory windows, growing increasingly agitated at the sights below, did what any normal, white Harvard student would do when they saw a large, seemingly unruly group of black people: They called the cops!
Here’s a new twist on some of our conversations on identity and performance, from Ben Westhoff, 
Thanks
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